News

Congratulations to Belem Lett who was announced as a finalist in the 2025 Gosford Art Prize, with his work 'Television'.

Starting in 1970 as a community-driven project, the Gosford Art Prize has grown to become an important part of the cultural landscape of the Central Coast in New South Wales, and a well renowned prize. The 2025 iteration is the 26th time the prize will be presented at Gosford Regional Gallery. The competition is open to all artists across Australia and attracts entries in all mediums.

The finalist's exhibition is open at Gosford Regional Art Gallery 6 September - 9 November 2025.

IMAGE:
BELEM LETT
Television 2024
Oil, gesso, marble dust on aluminium composite panel
180 x 150cm

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We are delighted to share that James Drinkwater has been named a finalist in the 2025 Mosman Art Prize with his work Piano Nobile (reprise 1).

Now in its 78th year, the Mossman Art Prize is Australia’s longest running and most prestigious municipal painting award, providing a defining platform for contemporary Australian painting. The finalists’ exhibition is on view until 2 November.

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IMAGE:
Piano Nobile (reprise 1) 2025
oil on linen

Congratulations to Joanna Chew, who has won the 2023 Glover Prize for her painting Tender.

Chew, a Tasmanian-based artist, wins $75,000 for the painting, which depicts a three-legged dog standing in front of a tent and caravan, a commentary on the accessibility of the housing market.

In her artist’s statement, Chew describes how “Images of tents and caravans were frequently in the news at the beginning of 2018 when my daughter and I moved back to Hobart. We lived with my parents for a year, unable to find a rental we could afford. It was easy to see why more and more people were forced into solutions like setting up a temporary home at the Showgrounds – an option that will cease within the coming months.”

The 2023 Prize is judged by Suzanne Cotter, director of Museum of Contemporary Art (MCA), Tasmanian artist Lucienne Rickard, and director of Niagara Gallery, William Nuttall.

Suzanne Cotter says of the winning piece, “It is a complex painting that addresses contemporary life and themes of home and belonging at the same time as it speaks to a history of painting and the figure of John Glover himself, whose landscapes can be understood as a search for self-recognition in a world that was not his own.”

Image:

Tender, oil on linen, 183 x 127cm

We are thrilled to announce that Belem Lett has been selected as a finalist in the 2025 Sir John Sulman Prize, one of Australia’s most prestigious art awards.

Lett’s shortlisted work, Modern Love, showcases his signature approach to colour, using hand-mixed oil paints and raw pigments on aluminium to create a surface that seems to shift and breathe. The piece explores the dialogue between modern art and modern love, encouraging viewers to reflect on intimacy, connection, and what lies beneath the surface.

This year’s Sulman Prize received a record 732 submissions, with only 30 works chosen as finalists. Being recognised among this select group is a testament to Lett’s distinctive voice and growing presence within Australian contemporary art.

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IMAGE:

BELEM LETT
Modern Love
oil, pigment, gesso and marble dust on aluminium composite panel
150 x 122.2 cm

Vipoo Srivilasa's work Beneath the Love has been acquired by the National Gallery of Victoria, using funds donated by the Rob Gould Foundation.

Vipoo says of the work:

"Beneath the Tree of Love is my way of honoring love, commitment, and companionship. Inspired by the ceramic sculpture "The Music Lesson" from the Chelsea Porcelain Factory in the NGV collection, I wanted to blend old styles with a modern twist. This piece shows the close bond between two people and their pet, symbolizing unity and harmony in a loving relationship. It also shows a few pairs of animals who often visit my backyard. I hope the piece brings you the feelings of warmth and happiness. A celebration of love."

IMAGE:
Beneath the Tree of Love 2024
National Gallery of Victoria, Melbourne
Purchased with funds donated by Rob Gould Foundation
Image courtesy the artist

Congratulations to Bridie Gillman whose work 'Pink room, pink womb' has been selected as a finalist in the 2025 Ramsay Art Prize at the Art Gallery of South Australia.

The Ramsay Art Prize supports contemporary Australian artists under 40 to make their best work in any medium and of any scale. Supported in perpetuity by the James & Diana Ramsay Foundation, finalist works are selected by a panel of judges and shown at the Art Gallery of South Australia in a major exhibition opening 31 May, 2025.

IMAGE:

Bridie Gillman
Pink room, pink womb 2024
oil on canvas, timber, tufted wool, audio soundscape
202 x 190 x 162cm

We are delighted to share that Miranda Skoczek has been profiled in Marie Claire Australia. The feature offers a glimpse into her Camberwell apartment, where living space and studio merge to reflect her layered artistic vision.

“I’m a colourist, first and foremost. Colour is my main compositional language,” Skoczek notes, describing the vibrant and expressive world that informs her practice. She adds, “Every object tells a story … my paintings are also very much about places experienced and imagined.”

The article celebrates Skoczek’s distinctive use of colour, her love of collecting, and the intimate connection between her art and her surroundings.

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IMAGE:

Marie-Claire article featuring Miranda Skoczek

Congratulations to Eliza Gosse, whose painting Flannel Flowers Under the Wattle Tree has been selected as a finalist in the 2025 Wynne Prize, on view at the Art Gallery of New South Wales from 10 May to 17 August.

In this evocative work, Gosse reimagines her grandparents’ Central Coast garden as a dreamlike landscape filled with native flora and the echoes of childhood memories. Drawing on imagery from mid-century design and magazines such as Australian House & Garden, she combines stylised architectural forms with the abundant textures of the bush – flannel flowers, grevilleas, kangaroo paws and towering gums. The result is a tender homage to the creativity and care of cultivated backyards, and a reflection on how these spaces shape both memory and identity.

This marks Gosse’s second time as a Wynne finalist, affirming her distinctive contribution to the depiction of Australian landscapes.

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IMAGE:

ELIZA GOSSE
Flannel flowers under the wattle tree 2025
synthetic polymer paint on canvas, oil on birch plywood
183.4 x 152.7 cm

We are delighted to announce Sally Anderson’s inclusion in TENDER at Ngununggula in the Southern Highlands of New South Wales.

TENDER is an annual exhibition committed to showcasing the work of Australian women artists.

'Tender' within this exhibition refers to the body, our gestures, and the way we feel or express ourselves. We impart the term on places, objects or surfaces to describe how they arouse our senses or how an object yields under pressure; it softens, loses shape, and gives way. This term has rich and varied meanings, and the aim of this exhibition is to explore its significance beyond a gender lens.

Sally Anderson’s work asks how one can hold households, partners, children, paintings, parents, and the self all at once. It reflects the ways motherhood, domesticity, and creative practice become reciprocal and inevitably entangled, each influencing and permeating the other. The work deliberately moves between abstraction and representation, using still-life and landscape motifs as symbols of containment and care.

The exhibition is current at Ngununggula 12 April - 15 June 2025

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IMAGE:
SALLY ANDERSON
Self and Still life (shared garden future nurture) 2024
acrylic on polycotton
183 x 165 cm

Congratulations to Belem Lett who has been selected for the 2025 Omni Art Prize exhibition. This art prize and exhibition celebrate contemporary artists, promoting and selling their works. In 2022 Belem Lett won the Omnia Major Prize for Most Outstanding Work.

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IMAGE:
Building Blocks 2024
oil, gesso, marble dust on aluminium composite panel
150 x 122cm