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As we move closer to summer in Brisbane, it is easy to look for ways to slow down the pace while still feeling connected and inspired. A walk through a contemporary art gallery in Brisbane is one of those quiet, meaningful activities you do not need to plan too much for. When the sun is high and everything feels busy outside, galleries offer something different. Not just a break from the heat, but a space that lets you pause, look, and think a little deeper.

There is something special about keeping art in our regular routines, not just saving it for rare occasions. Visiting galleries every now and then allows us to see new work, connect with local artists, and shift the way we see the everyday. Unlike big tourist spots, these places are part of the neighbourhood. Whether you live nearby or you are just curious, walking into one can remind you that art does not have to be loud to matter.

Brisbane’s Art Neighbourhoods to Know

Brisbane has neighbourhoods filled with galleries, perfect for an easy walk from place to place. New Farm is one of the best areas for this—full of tree-lined streets, friendly places for a bite to eat, and a relaxed pace that encourages you to take your time. The area around Fortitude Valley and some of the inner suburbs also offers a mix of galleries and creative studios, each with its own view of the present-day art scene.

Strolling between spaces is as casual as you want it to be. No need for big plans. Take it slow, stop for coffee, and follow whatever catches your interest. You might come across painting, sculpture, drawings, or mixed media—all under one roof. Every gallery has its own feel, shaped by the artists it represents and the design of the space.

You do not need to dress up or know the right things to say. Just bring curiosity. These galleries are open to the public and usually quieter than you think. Sometimes you will do a quick wander through, other times you might stay longer. That kind of welcome makes them perfect for repeat visits all year.

What Makes a Contemporary Art Gallery Worth Visiting

A contemporary art gallery in Brisbane is not quite like a museum. They are smaller, sharper in focus, and change up what is on show regularly. Most galleries have exhibitions that last a few weeks, so there is always something new: new voices, ideas, and materials.

What stands out is the support for artists who are still building their practice. These are not places following trends for the sake of it. You will see works that are honest, reflecting exactly where an artist is right now—through colour, material, or the questions they chase. Less instruction, more freedom for visitors to find their own meaning.

You will notice space to breathe, both physically and mentally. Stand close, step back, and look for as long as you like. There is no pressure to move on quickly. Quiet, thoughtful looking is encouraged. If you feel like chatting, many galleries welcome questions or just simple reactions.

Edwina Corlette Gallery regularly presents changing exhibitions by mid-career and emerging artists, helping local visitors see art that is both current and distinctive.

Tips for Walking Into a Gallery With Confidence

It is normal to feel a bit unsure at first. Maybe you do not know if you can ask questions, or you wonder about “doing it right.” Most people think that—and most galleries just want you to enjoy the visit.

Consider these points to help you settle in:

- Take your time. There is no rush to absorb everything at once.

- Ask questions. Most staff enjoy sharing a bit about the work or the artists.

- Enjoy what feels good to look at. A personal response is always enough.

There are no secret rules. You truly belong in the space as much as anyone else. Think of each visit as time spent in a shared room where you are welcome to find whatever makes sense for you—no test, no pressure.

How Local Galleries Stay Connected to Australian Artists

Behind every new exhibition is a long story between gallery and artist. Support goes far beyond display. It is about making space for ideas to grow, whether over one season or several years.

Contemporary galleries in Brisbane are deeply connected with Australian artists at every stage. From studio visits to feedback, from logistics to shaping a career path, galleries are the quiet partner for many artists. That care shapes the shows you see, bringing depth to what lands on the walls.

Since Brisbane is so well linked to the rest of the country, you may find pieces here that have travelled throughout Australia or abroad. Yet, there is always a touch of local colour in the curation—work that feels right for the Queensland climate or mood. These pieces are selected to encourage looking, spark small conversations, and capture a sense of place.

What You’ll Find This Time of Year

Late spring has its own energy in Brisbane. The city starts to slow, days grow longer, and people look for calm before the full heat and holiday rush. It is a lovely moment to step into a cool gallery space, perhaps one you have walked past all year.

Many galleries update their displays as spring arrives, swapping in new work or clearing walls for the next surprise. This change brings a different tempo—less stress, more room for ideas to breathe. Few things feel better than stepping out of the sun into a quiet room with art waiting to surprise you.

Spring afternoons can bring the best discoveries. Sometimes it is the colour in a painting, sometimes a material that you have never seen used in that way before. Art that stays with you rarely shouts. It is the subtle moments that linger longest.

Art Viewing That Stays With You

Not everything about art is about instant understanding. Some pieces leave a mark, often because we take a moment to give them real attention. Visiting contemporary galleries at regular intervals lets us watch new ideas grow, both in the artists’ work and in how we see daily life.

You do not have to “get” everything. Often, sitting with a bit of confusion starts the best type of thinking. Work that puzzles or stretches us sometimes pops up later in small, unexpected ways. What matters is the act of showing up, looking honestly, and letting those moments stay with you a while.

The habit of seeing art can shape how you move through the world. The more you look, the more you notice—patterns of colour, new shapes, familiar sounds echoes in texture. This quiet way of looking can change the shape of your day, week, or season, one thoughtful visit at a time.

Curious to see how local artists are shaping ideas and materials right now? Our exhibition program is a good place to start. Each show brings a fresh point of view—some quiet, some bold—but all grounded in thoughtful practice. For anyone interested in spending more time with art or understanding what makes a contemporary art gallery in Brisbane feel worth returning to, there’s always something unfolding. At Edwina Corlette, we welcome conversation, questions and quiet observation—feel free to get in touch if something speaks to you.

Going to an art gallery can be a lovely way to spend an afternoon. But stepping into a relationship with a contemporary art dealer in Brisbane brings a different kind of connection. It is less about a casual visit and more about understanding how art speaks to your everyday life. You start looking at objects, colours and textures in a way that slows you down, in a good way. That is where an art dealer can help—by guiding you through work made by artists who ask questions and observe closely, then share it through their practice, one piece at a time.

More than just setting up exhibitions or keeping things running behind the scenes, an art dealer builds a steady link between the maker and the viewer. That link matters, especially when you want to understand why something caught your attention or stayed in your mind long after you left the room. It does not need to be complicated or formal. Sometimes it is just a small shift in how you see something, or how it sees you. That kind of attention can stay with you for years.

What a Contemporary Art Dealer Really Does

A big part of what we do is pay attention. That sounds simple, but it is not always easy. We spend time with artists, talk to them about what they are making and why, and think carefully about how and where to show that work. Some days that means planning an exhibition. Other days it is choosing where a single piece belongs. The thinking is long-term, more about where a story could go than what looks good right now.

We might preview new works in a studio, help refine what goes into an exhibition, or set up quiet moments in the gallery so visitors can take their time. A dealer keeps track of what is being made locally and listens for the deeper conversations happening just below the surface of the art. In many ways, the job is a bridge. We work between the people who make the art and the people who want to understand or live with it.

Outside the gallery, this work can reach further—helping someone place a single piece in their home or talking with an artist about the next stage in their career. None of it moves in a straight line, but all the threads are connected. Part of the job is making sure those threads stay strong and visible.

Edwina Corlette Gallery curates regular exhibitions by both mid-career and emerging Australian artists, bringing fresh perspectives to local collectors and art enthusiasts.

How They Support Australian Artists

Supporting Australian artists is about much more than hosting gallery shows. It is about giving artists the time and confidence to take risks, knowing someone understands what matters. A strong relationship often starts well before finished works appear for exhibition. We check in during the raw stages when ideas are just forming, as that is where trust is built.

A contemporary art dealer in Brisbane helps by listening deeply and asking the right questions. Some support is visible, like hanging work for public view. Other times it is behind the scenes—quietly helping artists get a foothold and push boundaries they might not reach otherwise.

That kind of ongoing support can mean anything from a late-night studio visit to helping plan where a completed body of work should go next. Being local helps. Knowing the city’s rhythms and what is happening around the neighbourhood gives a better foundation for artists and helps carry their stories to new audiences when the moment comes.

Helping You Choose Art That Feels Like Home

Choosing art can be personal, but sometimes intimidating. When visitors walk into a gallery, they can feel unsure about what is okay to ask or how to begin. A contemporary art dealer in Brisbane is not there to dictate choices; their role is to help you slow down and pay attention to what already interests you.

Often a colour in a painting or a texture in a sculpture pulls something from memory—a feeling, a place, a detail. Dealers help you stay with that moment, let questions emerge naturally, and talk them through with patience.

You do not have to explain yourself or know all the answers. The value in a piece starts with your own honest response, just by standing in front of it and noticing how it feels. We are close by, ready to chat or step back as needed, letting you lead your own experience while offering support if a question or curiosity pops up.

Making Art More Accessible Through Conversation

There is comfort in walking into a calm space, letting the noise drop away, and just looking around. With someone nearby who knows both the art and its makers, there is a chance for real conversation, not just quiet observation.

All it often takes is one comment—about how a painter works, or why a sculpture uses certain materials—to change your view. These are simple chats, not formal lessons. Anyone can ask a question, or say nothing at all, and get something from the experience.

No one expects you to “get” it right away. Many of the best gallery visits start with a casual question or a slow wander that turns into a deeper chat about what connects you to the work. A local dealer keeps things open, making room for whatever is needed—whether it is sharing details or simply offering time to look quietly.

A Better Way to Bring Art Into Your Life

You do not need to be an expert to enjoy or collect art. Follow what draws your eye, and take things as slowly as you want. That is where having a dealer makes a real difference—not with instructions or rules, but by staying in the background and stepping in when you want to talk or learn more.

Art does not have to be a project. Sometimes the most interesting pieces end up in your home on a whim, hung where the light moves throughout the day. The moment that sticks is the one where you step in with no plans, stop in front of a piece of art, and realise it feels unexpectedly right.

Bringing more art into daily life comes down to access, curiosity, and an environment that welcomes all levels of interest. A contemporary art dealer in Brisbane can help shape those experiences, making every visit feel a little more personal, open, and worth coming back for.

Curious about the artists behind the work and how a connection with a piece can grow over time? Have a look at the kind of work we show and support—sometimes all it takes is a quiet moment for something to really speak to you. You might find a painting, sculpture or drawing that fits your space or the feeling you’ve been looking for. To see what’s available through a contemporary art dealer in Brisbane, take a scroll through our current stockroom and reach out if something stands out. At Edwina Corlette, we’re always happy to talk about art that stays with you.

Miranda Skoczek has collaborated with Australian jewellery brand Pandora, to create a signature charm collection, featuring in Cosmopolitan.

“Collaborating with Pandora has allowed me to transform my symbolic language and designs into meaningful, wearable jewellery,” Skoczek says. “From my charm edit, in store artwork, packaging and engravable designs, there’s a natural alignment in how we both value storytelling, symbolism and self-expression which has made this partnership so special.”

READ MORE HERE

IMAGE:
Miranda Skoczek modelling her Pandora jewellery collection.

As days stretch a little longer and the plants thicken along fences and footpaths, it is often spring that gets people moving again. It is the time of year when things just feel more open. For many, that means looking for ways to refresh steady routines, and creative spaces can offer just that. A visit to see work by Australian contemporary artists can shift your thinking without any big event or fuss.

Whether you live in Brisbane or somewhere close by, spending time with local art can add a new layer to your week. You do not need to know everything about art to enjoy it. You just need space to look and notice. This guide shares a few ways to find those places, what sort of work you might encounter, and why artists nearby often see things in ways worth noticing.

Finding Art in Your Own Backyard

Looking close to home is sometimes the simplest way to connect with something new. Smaller galleries, independent spaces, or exhibitions inside public buildings often feature artists living and working nearby. Even if you have walked past the same building a dozen times, stepping in for the first time opens the door to something unexpected.

Start by checking out the galleries in your local area. In a neighbourhood like New Farm, this could mean wandering into a quiet street-front space on your way to breakfast, or heading out for a walk and letting your route wind past an exhibition. All around Brisbane suburbs, there are smaller venues tucked between cafes or near the river, where you will find new work reflecting daily life.

It is worth keeping an eye out for pop-ups and shared studios too. These might not look like traditional galleries, but the work is sometimes more personal, open or experimental. Artists opening their studios feel less formal than a gallery show and often lead to honest chats or works that surprise you.

Sticking local slows the pace. These spaces tend to feel less rushed. There is no need to tick things off a list or snap a quick photo. You can sit with something and let it settle, which can bring clarity you don’t get elsewhere.

Edwina Corlette Gallery is regularly home to work by emerging and mid-career australian contemporary artists, helping connect Brisbane’s local art lovers with some of the freshest voices on show.

What Makes Contemporary Australian Art Stand Out

There is no single rule for what defines the work of australian contemporary artists, but there are threads you might spot. These often include attention to place, stories of family or personal history, and everyday moments seen through a familiar lens.

You could see the angles of your own suburb in the shapes of a painting, or prints that reference memory, movement or quiet backyards in the inner city. These are not always loud works. Many encourage you to step in closer and pause for a moment.

One of the strengths of Australian art is its diversity of voice. Artists explore all kinds of meaning, using new materials, unexpected colours, and homegrown techniques that push against easy definitions.

Sometimes the best visits happen without expectations. When you let go of searching for a specific message and simply meet the work as it is, the experience becomes even richer. Some pieces do not try to fit into a category—they are memorable simply because they hold something honest.

When to Visit and What to Expect

Spring feels like the right time to shake up habits. There is no need to plan around school holidays or fill your days to the brim. Popping into a gallery midweek, or when the streets are still early and quiet, can reset your perspective. And nobody expects you to know much before arriving.

Most contemporary galleries welcome all visitors, keeping things relaxed and informal. You might see a desk near the entrance, printed sheets to read, and gentle flows between rooms. There will not be pressure to explain your interest or stay for a set time. Take as long as you want. Move at your own pace.

Exhibitions change often—what you see this month might be gone by next. Artists working today usually respond to what is happening now, so shows feel alive and connected, even when the work itself is gentle.

Try picking out just one piece that makes you pause. Do not worry about having the right words—a memory, a colour, or a feeling is enough reason to stop and look again.

Supporting Artists and Starting Your Own Collection

Supporting artists does not have to mean buying big. Sometimes it is as easy as turning up, telling someone about a show, or sharing an image or idea that sticks with you. Each step counts. Even just coming in and looking can make a difference.

If collecting is on your mind, start slow. Listen more than you talk. Ask about artists or the work, even if you are unsure what to say. Each visit adds a piece to what you know. Most collections begin slowly, chosen through personal interest, not trends.

Galleries are often the link between viewers and artists. They make encounters possible, and they hold space for trust to build. Over time, the simple act of showing up makes these spaces stronger and more open.

Edwina Corlette Gallery plays a key role in helping collectors find and support artists early in their careers, creating links within the local creative community.

A Slower Kind of Discovery

Finding work by Australian contemporary artists near you is less about ticking off lists and more about letting something small catch your notice. The blue of a sculpture could match the sky out the window. A brush of text in a painting might echo a phrase you half remember. These moments invite quiet attention and reward anyone who spots them.

The best thing about this kind of art-seeing is that it is not a rush. You can drop by on the way to the shops or step inside while waiting for a friend nearby. There is ease in the slow build of discovery.

Letting art made nearby sharpen your view of home helps you notice what usually slips past. The layered colour in the footpath, the pattern of everyday sounds, the shape of light in the late afternoon—all of it can feel new after seeing how an artist approaches it.

There is never any pressure to get everything right. If you are drawn to something, that is already enough reason to look closer. And if you want to come back, you will often leave seeing your surroundings in a different way.

You’re always welcome to take a quiet moment with the work and see what catches you. You might enjoy spending time with some of the pieces created by the Australian contemporary artists we represent. Each artist brings something different, and that mix can make the experience feel both grounded and surprising. Whether you've been collecting for years or you're still figuring out what you like, starting with one piece can open the door. If something speaks to you and you’d like to talk more, just get in touch with Edwina Corlette.

In this article, deputy editor of the Art Gallery of New South Wales 'LOOK' magazine, Emma McLean, visits Eliza Gosse in her studio before Sydney Contemporary. The magazine, produced by the Art Gallery of New South Wales, has now been running for 40 years, and celebrates great Australian Artists.

"On this crisp June morning I find Gosse planning new paintings for her display at Sydney Contemporary in September. Plants and trees appear to predominate in the foreground - perhaps another evolution of her practice. I bid farewell to Gosse as she prepares to tackle the challenge of rendering a study in large-scale. As I make a move to leave, warm winter light throws hazy shapes against the walls, and I am reminded of the golden light and shaded silhouettes of her paintings"

READ MORE HERE

IMAGE:

Excerpt of the LOOK Magazine article on Eliza Gosse

Jane Guthleben has been announced as a finalist in the inaugural Pymble Values Art Prize. Her work 'It takes a Village' depicts eleven species of Australian native birds and their nests, exploring diversity and home making.

Each year the prize will be awarded to an Australian female artist, presenting an original two dimensional artwork that resonates with one of the Pymble's Ladies College values. This year the theme was Respect - 'I value diversity, my worth and the worth of others.'

The winner of the prize is announced 11 November, and the finalists exhibition will be open 12 - 14 November at Pymble Ladies College, Sydney.

READ MORE HERE

IMAGE:
JANE GUTHLEBEN
It takes a Village 2025
oil on linen
183 x 122 cm

New Farm does not shout for your attention. It is the kind of place that settles in slowly. With wide, tree-lined streets and the quiet movement of the Brisbane River close by, it is easy to see why people are drawn to it. This is a neighbourhood that feels like it knows how to take its time.

That same ease carries into its galleries. An australian art gallery in New Farm feels different to one in the city centre or along a busy shopping strip. Here, it is easier to notice the small things, take an extra moment in front of a painting, and walk out with something good quietly shifted inside you. There is a reason people return to these galleries again and again, and it has a lot to do with how this pocket of Brisbane works as a whole.

How Location Shapes the Gallery Experience

Being based in New Farm means galleries do not have to compete with noise or rush. They offer something calm and grounding. Most are walkable, setting a slower tone before you even step inside. No traffic chaos, just a gentle stroll from the park or a café.

With so many green spaces nearby—like New Farm Park and the Riverwalk—the calm mood outside flows naturally into the gallery atmosphere. People often team a visit with brunch or a slow hour outdoors. The rhythm is relaxed, making it easier to be present when you step into the space.

The buildings play their part too. Many art spaces sit in structures that still carry touches of Brisbane’s older charm—timber floors, high ceilings, and soft natural light. Paired with smart exhibitions, that gives each visit character, without forcing it. You step into something that fits just right.

It helps that galleries are close to other local favourites. After stopping in, you can wander to a bookshop, sit along the river, or share a coffee with a friend. Gallery visits in New Farm are easy to work into day-to-day plans, which fits perfectly with the relaxed flow of the suburb.

A Community That Supports Creative Risk

One thing that makes an australian art gallery in New Farm stand out is how it supports honest and varied work. Galleries here don't always play it safe or stick to what they know will draw a crowd. People come back because they can expect to see something new or personal, not only what’s trending.

The community around local galleries values new ideas. Artists, collectors, and regulars are open to seeing work that pushes in different directions, whether created by someone just starting out or an established artist with something fresh to say. Each piece shown has something genuine behind it, and that draws people in for deeper reasons.

This commitment to new voices means exhibitions change often. There is always something to return to, a new perspective to catch. That mix of support and curiosity means galleries here are for conversation and discovery, as much as viewing.

The diversity of exhibitions at Edwina Corlette Gallery, for example, reflects that ongoing support of both emerging and established Australian artists. Regular programming means there is always something timely and relevant to experience.

Why People Keep Coming Back

The experience in New Farm’s galleries is simple and direct. There is no rush, no push toward a shop at the end, just space given to the work and the visitor’s response.

Galleries here choose quality over quantity. The curation gives each piece room to stand apart. That makes it easier to notice what you are drawn to—maybe a certain colour that works with the afternoon light, or a figure captured in a quiet moment.

For people living nearby, dropping in might be routine, but it does not get tired. For visitors, the honest, laid-back experience quickly becomes a highlight. No fuss, just a real chance to spend time with something meaningful.

Thanks to the natural setting and welcoming tone, nobody feels out of place. Whether you walk in with friends or wander in solo, the space makes it easy to stay as long as you like.

What Makes an Australian Art Gallery in New Farm Distinct

The best qualities of an australian art gallery in New Farm come quietly. There is warmth and authenticity. A painted sky that feels like a late Brisbane afternoon, a drawing that hints at a local park after summer’s end—all of these threads run through the collection without needing explanation.

This sense of place shows up both in details and bigger views. Brisbane’s climate, changing skies, and city life are reflected not just in themes but in the feel of the art itself. You notice the link even if you cannot name it straight away.

Local galleries also give space for work exploring wider stories—family, change, and the invisible parts of life. Even then, the work stays close to home, never pretending to be from somewhere else. That kind of storytelling gives the experience a personal, deeply connected base. Familiar or new, it is easy for the art to open up and meet each visitor right where they are.

Many exhibitions at Edwina Corlette Gallery feature work that responds to both local and national conversations, keeping each show grounded in Brisbane’s lived experience.

A Spring Visit Worth Making

Spring in Brisbane is the best sort of quiet. The mornings keep a little cool, but by midday the city opens up. People spend more time outdoors, noticing small changes in light. This slower rhythm makes it a great time to slip into a gallery in New Farm, when your mind is already tuned in to shifts, colours, and ideas.

With windows open and the air gentle, you are already looking closer at what is around you. Seeing art in this mood seems to land better. New shapes and sharper colours stand out, and even brief visits leave you thinking of something different.

Even just a quick gallery visit can shift your day. You might not walk out with clear answers, but maybe with a new thought or a bit more ease than you started with. The power in that small shift can be all you need.

Let Spring Shape a Different Kind of Day

Art galleries in New Farm do not need to shout to be seen. Their strength is in how well they match the calm, thoughtful pace of their surroundings. Every visit brings a quiet chance for reflection and a feeling of being somewhere that belongs to the place and the season.

This is a time for slower walks, for checking in with what has changed, and for letting the city guide your curiosity. For locals and visitors alike, spending even a part of the day in an australian art gallery in New Farm is an easy way to take on that gentle pace, right when it feels most welcome.

There's something grounding about seeing work that responds to the world just outside your door, and an australian art gallery in New Farm offers a quiet space to notice it. At Edwina Corlette, we present exhibitions that shift with the season and reflect what’s happening in real time, through the hands and eyes of artists living it. The pieces you find here aren’t rushed—they’re paced like the days outside, asking you to slow down and take a second look. Whether you're passing through or planning to stay awhile, we're here if you'd like to get in touch.

Ode: Margaret Olley and Sally Anderson is a celebration of important still life paintings by Margaret Olley (1923–2011) together with new work by Gadigal/Sydney-based artist Sally Anderson.

During her 2025 residency at the Nancy Fairfax Artist in Residence Studio, Sally embarked on a new body of work that responds not only to Margaret Olley’s remarkable still life paintings featured in Ode: Margaret Olley and Sally Anderson, but also to selected objects from the re-creation of Olley’s home studio. Interweaving deeply personal experiences and themes of domesticity, care, maternity, and mortality within her work, Anderson invites us to reconsider Olley’s still life paintings in a new light.

A Tweed Regional Gallery initiative. The Nancy Fairfax Artist in Residence Studio is supported by benefactor Mr. Tim Fairfax AC via the Tweed Regional Gallery Foundation Ltd.

“Olley’s still life paintings feature and appear as postcards or portals within mine, just as Cézanne, Matisse, and Manet (to name a few) appear within hers. I’ve deliberately arranged objects borrowed from Olley’s reconstructed home–studio alongside personally significant items within my compositions to give them new context and meaning. I think a lot about arranging—how we arrange thoughts, words, time, memories, clothes, households, feelings, gardens, furniture, objects, colour—and how rearranging the order of things ultimately shifts meaning, revealing new truths, narratives, and histories.”

The Nancy Fairfax Artist in Residence Studio is a live-in studio supporting artists from across Australia, encouraging connection between artist, community, and place.

READ MORE HERE

IMAGE:

SALLY ANDERSON
Study of MO’s still life in green 1947 with a banksia for dad, GM orchid and PP Bathers postcard 2025
acrylic on polycotton
137 × 153 cm

We’re excited to share that Eliza Gosse has collaborated with ROMY on their latest collection, Romy Athletic Society. Gosse brings her bold, rhythmic figures into a limited-edition nine-piece collection of wearable art. Channelling the spirit of the 1980s beachside, the collaboration celebrates movement, femininity, and individuality through retro-inspired athleisure.

READ MORE HERE

IMAGE:

ROMY x Eliza Gosse collaboration

We are delighted to share that James Drinkwater is featured in the newly published Artists by Artists (Thames & Hudson), an ambitious project by Michelle Grey and Susan Armstrong. The book brings together fifty of Australia’s leading artists, thoughtfully paired to create portraits of one another.

Drinkwater was partnered with celebrated artist Ken Done, offering a unique exchange of perspectives and practices. The publication provides a rare insight into the creative processes, inspirations, and personal reflections that shape each artist’s work, while also highlighting the connections that emerge when artists turn their gaze towards each other.

Through striking imagery and candid storytelling, Artists by Artists presents an intimate and dynamic portrait of Australia’s contemporary art community, with Drinkwater’s contribution a highlight of this landmark project.

READ MORE HERE

IMAGE:
James Drinkwater and Ken Done, courtesy Thames and Hudson